Agent Elvis

I worked on Agent Elvis (Netflix, developed by Titmouse and Sony) from the first episode through to the last, contributing to location design, background design, and painted keys. Early in the production I helped establish the look and feel of the show’s world, drawing on visual references from the late 1960s and early 1970s to ground the story in its period setting. The series’ distinctive 2D art style combined bold fills with rough textures for a stylized, energetic aesthetic.